About Eric Harrison

Eric Harrison has reported on film and reviewed movies for the Los Angeles Times and the Houston Chronicle, where he was chief film critic for five years. He has won awards for his film criticism and reporting. He teaches journalism at Texas Southern University in Houston.
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Eric Harrison has written 93 articles so far, you can find them below.


Shia LeBeouf on bedding Megan Fox: ‘You can see the chemistry onscreen’

Ok, so, Shia LeBeouf plays a bad boy routine that very likely is real, the result of being brought up in a rough neighborhood, having a drug-addicted biker for a dad and learning early to depend on himself.

Being honest, true to himself, also is important to him, for whatever reason. So the star of Transformers: Dark of the Moon talks to a reporter from Details magazine about his scraps with the law, barroom brawls, having a few beers and crashing his car.

But is there really any reason for LeBeouf to talk about boinking his costars, including Megan Fox while she was dating another guy whom she later married? (“I think you can see the chemistry onscreen,” LeBeouf tells the Details writer.) Was there any reason for LeBeouf to mention having a fling with Isabel Lucas, who costarred in Transformers: Revenge of the Fall (and who happened to have been in a relationship at the time with Adrien Grenier of HBO’s Entourage)?

Is that being honest or is that being a jerk?

Frank Miller to take on terrorists

Frank MillerThe 10th anniversary of 9-11 will be an occasion of solemn remembrance for most Americans. There certainly will be memorial observances. The airwaves and news websites will be filled with commentary. The President will mark the occasion in some dignified way.

Then, three days later, comic book readers will replay the events of 9-11 in the pages of Holy Terror, a graphic novel by Frank Miller, the creator of 300 and Sin City and the man whose reanimating vision of Batman informs Christopher Nolan’s celebrated interpretation of the masked hero on film.

In Holy Terror a character known as The Fixer fights terrorists.

Miller conceived the comic some years ago as a story for Batman, but D.C. Comics scrapped the idea, according to the Hollywood Reporter. In the original conception, Batman was to take on the people responsible for the attacks of 9-11. It isn’t clear now if Miller will ignore the reality of U.S. Navy Seals killing Osama bin Laden earlier this year and rewrite history, the way Quentin Tarantino did in Inglourious Basterds.

There also is no word on whether there’re plans to turn the comic into a film.

We’ll just have to wait and see.

Miller spoke about the project in an interview with the Los Angeles Times last year.

“It began as my reaction to 9/11 and it was an extremely angry piece of work,” he said. “As the years have passed by I’ve done movies and I’ve done other things and time has provided some good distance…

“It’s almost done,” he told the Times last July. “I decided partway through that it was not a Batman story. The hero is much closer to Dirty Harry than (to) Batman.”

“The graphic novel is a no-holds-barred action thriller told in Miller’s trademark high-contrast, black-and-white visual style, which seizes the political zeitgeist by the throat and doesn’t let go until the last page,” according to the publisher.

Bob Schreck, Legendary Comics editor-in-chief, called Holy Terror “a fast paced, biting commentary on our uncertain and volatile times, told with some of the most gut-wrenching, iconic images he’s ever produced.”

The comic book will be 120 pages and published in a 10 x 13 format.

Transformers: Dark of the Moon video feature – Michael Bay and James Cameron discuss 3D James Camero

Transformers: Dark of the Moon video feature – Michael Bay and James Cameron discuss 3D James Camero

Transformers: Dark of the Moon video feature – Michael Bay and James Cameron discuss 3D

Transformers: Dark of the Moon posterJames Cameron is one of Hollywood’s biggest boosters of 3D technology, and he says that when he heard that Michael Bay was considering shooting a Transformers movie in 3D, Cameron felt compelled to urge him to move forward for it.

Here is an on-stage discussion the two filmmakers had in which they discuss Transformers: Dark of the Moon and the way 3D was used to enhance the movie.

3D has been getting a bad rap lately, in large part because of all the shoddy 3D conversions and slipshod work out there. A lot of movies that weren’t filmed with 3D in mind were quickly converted 3D to exploit the market. The movies didn’t take full advantage of the technology. As a result, filmgoers feel cheated – they paid a premium and had to wear funny-looking glasses, and they don’t see why they went through the hassle.

I’m not fan of the Transformers movies, but one thing I’m sure of is that Bay has gotten all the bang there is to get out of 3D technology. He talks a little bit here about how he did it.

Transformers: Dark of the Moon flying stunt video feature Michael Bay likes to put his actors and st

Transformers: Dark of the Moon flying stunt video feature Michael Bay likes to put his actors and st

Transformers: Dark of the Moon flying stunt video feature

Michael Bay likes to put his actors and stunt people in the middle of the action. Sure, his films have lots of computer-generated imagery – it’s hard not to have cgi when much of your cast is comprised of giant robots and other fantastic creatures and otherworldly goings on. But Bay likes to have things actually blowing up around them and buildings actually tumbling down.

And, it turns out, he likes to have men actually flying above the streets of downtown Chicago.

This is a pretty cool behind-the-scenes video about how Bay has guys in wing suits actually dive off of the Sears Tower in Chicago and ride the currents between skyscrapers. They do it for a scene in the upcoming Transformers: Dark of the Moon, which opens next week.

Wild stuff.

On the death of Peter Falk, Gene Colan, Jeff Jones…

We are saddened by news of the passing of Peter Falk and Gene Colan on Thursday.

Doubtlessly, you know Peter Falk, from his long run on television as the rumpled detective on Columbo or his wide-ranging film career. Perhaps you’re familiar with his great work in John Cassavetes’ movies such as Husbands.

I would guess that many of you don’t know who Gene Colan is. Colan was a comics book artist. I became familiar with his work in the 1960s or 1970s  on comics such as Daredevil, Submariner and The Tomb of Dracula.

I haven’t been intimately involved with comic books for some time. While looking or information on Colan’s death, I also learned of the recent passing of Jeff Jones, an artist whose work was innovative and strong though I never became as familiar with as much of it as I should have.

I’ve been out of the comics loop for so long that I did not know Jones had a sex-change operation in the late 1990s and changed his name to Catherine. All I know is that I credit Jones’ stark black-and-white work and his spare, beautifully composed paintings in magazines decades ago for opening my eyes to wider storytelling possibilities within the comics medium.

Here is a brief video interview that was conducted with her recently that touched on issues of aging and death.

While reading about Jones I also learned that Dave Cockrum (an artist best known for his work on the X-Men) had died – way back in 2006.

I’d better stop reading now or this will grow too sad.

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